academic journals, academic publishing, academic writing, publishing, translating

Another year, another Yearbook. The Italia Contemporanea Yearbook 2021 is out!

Last year, I was invited to translate the very first edition of the Italia Contemporanea Yearbook 2020, a selection of historical articles originally published in Italian in the journal Italia Contemporanea. It appears the editors were happy with my work, because they asked me to translate the second edition, which has just been published.

The new Yearbook covers a very broad range of topics as well as different historiographical and methodological approaches. More importantly, it presents original research that exceeds national boundaries, highlighting connections and interactions with Germany, Libya, Algeria and the Unites States. As such, it manages to overcome a common problem for editors of similar journals, as the editors explain in their introduction, namely that of reconciling “national, regional and local scales, offering a dynamic overview capable of locating themes and issues in the most appropriate contexts and restoring their interconnections — or even their deviations and specificities — in comparison to the global framework”.

As previously, all articles are freely available, which greatly contributes to the international exchange among scholars working on Italian history. Again, I am very proud to have been part of this project and hope that the publisher, FrancoAngeli, will continue to finance it.

You can access the TOC and download the Yearbook 2021 at this link

academic journals, academic publishing, academic writing, publishing, translating

The Yearbook. Translating Italian contemporary history for ‘Italia Contemporanea’

Although proofreading is my main activity, I am occasionally asked to do Italian to English translations. Exactly one year ago, I was approached by the editor of one of Italy’s main history journals, Italia Contemporanea, with a request to translate 10 recently published articles for a completely new, English-language ‘Yearbook’.

The publication of the Yearbook vaguely coincides with the 70th anniversary of the institute that had launched the journal in 1949, the ‘Istituto nazionale per la storia del Movimento di Liberazione in Italia’ (National Institute for the history of the Liberation Movement in Italy). But the reason behind the decision to launch an English-language ‘Yearbook’ was another: whereas many libraries across Europe are subscribed to Italia contemporanea, historians who aren’t Italian native speakers don’t necessarily read Italian. It was therefore time to offer a new series of publications aimed specifically at an English-language audience.

To be fair, Italian scholars also tend to struggle with research published in other languages. I recall having to persuade an Italian contributor to a special issue (for a British journal) that I co-edited some years ago to at least mention a few relevant English-language publications, as the journal’s editor-in-chief had suggested. This absence was mainly due to the fact that the author didn’t read any English at all.

This is why I think both English-language and Italian-language journals should start offering selected translations, making them available in open access. Only thus, research outputs that would otherwise remain restricted to a specific audience will truly become available to a global readership. For now, Italia contemporanea has taken a first step in this direction, and I am extremely proud to have contributed to this endeavour – by no means an easy one, given the broad range of topics and the varying writing styles I was faced with.

I also strongly recommend anyone interested in Italian contemporary history to have a look at the Yearbook. It offers a very broad and versatile range of articles, from women’s political participation after WWI in the bordering cities of Fiume and Sušak to a gender-focused analysis of welfare history in Italy; from museum representations of the colonial past to the Italian ‘communist question’ in American foreign politics; from recent Italian historiography on 1968 to the relationship between deindustrialisation and industrial heritage in Italy.

And my favourite: the primary role (and struggles) of women translators in the translation industry between the two world wars. It’s amazing to see how certain things (like keeping translators on a financial leash) haven’t changed…

You can access the TOC and download the Yearbook at this link

academia, academic writing, Coronavirus, Higher Education, proofreading

Covid-19: one year on

It’s been a little over a year since the Covid-19 pandemic made its entrance on European soil. First stop: Italy. I still remember the day the first Italian victim was announced, one Friday in late February. I had just picked up my C2 English Proficiency certificate that morning, and as I started preparing my lunch I turned on the news, which was all about Covid.

Various lockdowns and millions of face masks on, it now seems like the worst is over. Perhaps we are soon to be “reborn with a flower”, as the Italian anti-Covid vaccination programme is called. But the consequences, I fear, will be felt for many years. Not just lives have been lost: jobs, businesses, (movie) theatres, archives, trade shows, festivals, street markets…everything has been affected. Our habits have changed, too, though hopefully not for good.

Although academia was hit as hard as other sectors, especially in the Humanities, as a proofreader/translator I haven’t suffered the consequences too much. On the contrary, several returning clients and word of mouth have kept me busy for most of the past 15 months. In fact, this must have been the busiest year of my post-academic career so far!

This has also meant not being able to write new blog posts. But, now that I’ve had a chance to take a (much needed) rest, I plan to make up for this absence, starting with a new post coming up soon, on gendered language in academic writing: is gender neutrality really the key?

In the meantime, if you’ve missed any of my older posts, please check out the archive below.

Stay safe and stay tuned!

Budding poppy (photo by Andrea Hajek)
Budding poppy (photo by Andrea Hajek)